<em>Fold Crumple Crush: The Art of El Anatsui</em> | UMMA Events University of Michigan | Museum of Art (UMMA)
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Fold Crumple Crush: The Art of El Anatsui

Filmed over three years in Venice, Nsukka, and the United States, this is a powerful portrait of Africa's most widely acclaimed contemporary artist El Anatsui. Directed by Susan Vogel, Fold Crumple Crush: The Art of El Anatsui (2011, 53 min.) gives an insider's view of the artist's practice, the ingenious steps and thousands of hours of labor that convert used bottle tops into huge, opulent wall hangings. Here Anatsui explains how his artworks have become a marriage of painting and sculpture, objects that speak of African history but also reach for the ethereal—and he talks about his aspirations for artworks he has yet to make.

Behind the charming, easy-going artist we discover a man who remains mysterious even to his dearest friends. The film circles around Anatsui, drawing ever closer to a deep understanding of the man and his surprising bottle top hangings. We see the celebrated artist installing work on the great world stage of the Venice Biennale; we follow him back to the small town of Nsukka as he goes about his daily life, then watch him inside the hive of his studio directing assistants as they stitch together bottle tops into a vast metal hanging. Finally, Anatsui admits us to the privacy of his home where he tells us about his formative years, and reveals a youthful discovery that clouded his life.

Accompanied by Anatsui at Work: Eight Short Films (2011, 26 min.), also directed by Susan Vogel. These elegant, instructive shorts depict Anatsui demonstrating his artistic process and discussing his theories on specific media as he creates one of his most ambitious works in Nsukka and installs it on the façade of the Palazzo Fortuny Museum in Venice.

El Anatsui: When I Last Wrote to You about Africa is organized by the Museum for African Art, New York, and has been supported, in part, by grants from the National Endowment for the Arts and The Andy Warhol Foundation for the Visual Arts.

Lead support for UMMA’s installation is provided by the University of Michigan Health System, Office of the President, Office of the Provost, Office of the Senior Vice Provost for Academic Affairs, and Penny W. Stamps School of Art & Design's Speaker Series; the University of Michigan Credit Union; and the James L. and Vivian A. Curtis Endowment Fund. Additional generous support is provided by the University of Michigan African Studies Center, CEW Frances and Sydney Lewis Visiting Leaders Fund, Department of Afroamerican and African Studies, Department of the History of Art, Institute for the Humanities, Museum Studies Program, and School of Natural Resources & Environment.
Friday, 08 March, 2013

 

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